Cannabis Redesign Takes Page from "Big Confectionery"

As attitudes toward cannabis push toward mainstream, brands like Green Thumb’s incredibles are beginning to apply more traditional, mainstream CPG packaging and branding techniques.

Along with more universal SKUs, each state in Green Thumb's market gets its own hyper-local chocolate bar variety.
Along with more universal SKUs, each state in Green Thumb's market gets its own hyper-local chocolate bar variety.

Years ago, fledgling cannabis brands could be forgiven any slow progress in brand evolution, conservative takes at branding via packaging, and lack of a consistent, universal message. After all, consider the sheer number of hoops that package designers needed to jump through (and still do), and the disparate nature of those legal hoops from state to state. Also, it wasn’t so long ago that there were comparatively few pack formats that could do all the required heavy lifting of child resistance (CR), explicit THC and CBD content designations, ergonomics for older or disabled users, and track and trace coding to fit disparate, fragmented markets. And that’s not to mention the more typical food-grade barrier layer and puncture resistance functional needs that any type of gummy or chocolate bar packaging might require.

But the industry continues to mature as packaging suppliers become more diverse and sophisticated, and new states decriminalize or legalize to open up previously untapped markets. As a result, an arms race is breaking out over pieces of a growing pie, and brand evolution is accelerating at a breakneck pace. This makes cannabis, particularly as it applies to food and beverage, a fun market to watch. Some states prohibit depictions of real food on cannabis packs. So for this gummy pouch, color and design have to communicate flavor.Some states prohibit depictions of real food on cannabis packs. So for this gummy pouch, color and design have to communicate flavor.

Early packages a reaction to uncertainty about product
Given the explicitly outlaw character of pre-legalization or pre-decriminalization cannabis products—the often-cited image is that of the Graffix brand of smoking pipes, with menacing skull in court jester hat—it’s no wonder that the early legal, edible cannabis brands wanted to distance themselves from the outlaw motif. Many gravitated to a much less stimulating visual appeal. Soft, natural tones and gentle, cursive fonts were meant to elicit calm and confidence in the legality and safety of edible cannabis products contained in the pack.

But this justifiable, even smart brand positioning created a glut of similarly branded edible gummies and chocolates that now meet consumers at dispensaries. And it’s hard to differentiate between beige and taupe.

As a case in contrast, take a glance at the grocery store candy bar selection while waiting for a checkout register. There, you’ll find that candy isn’t so buttoned up. Successful brands use colors that pop, make fun of themselves, and love their logos and mascots. Essentially, most big brands making traditional candy bars and gummies can be said to be ‘loud’ brands, and that extends to packaging. One premium cannabis brand owner is taking a cue from its non-cannabis counterparts and differentiating itself from its more serious-minded competitors on the shelf. In doing so, is driving further evolution in a nascent but quickly maturing market.

Taking a cue from “big confectionary”
Green Thumb Industries Inc. is a new breed of cannabis brand owner (read more about its Clio-Award winning Dogwalkers brand packaging) that applies the big brand owner mentality to its stable of cannabis products. One of its brands, incredibles, which Green Thumb purchased from Colorado’s Medically Correct (MC) brand in 2019, is undergoing a massive rebranding to catch cannabis confectionary products up with major store-brand counterparts. The two primary product ranges of gummies and chocolate bars were first up, and all other incredibles product ranges are soon to follow suit.

Jessica Benchetrit, Brand Director incredibles, at Green Thumb Industries. worked closely with design and innovation consultancy IA Collaborative on the project, seeking to make a colorful visual splash among otherwise calm or unobtrusive pack designs on a shelf or in a display case.

“Color plays a critical role within the context of this redesign,” says Benchetrit. “From a functional standpoint, our bold color pallet allows us to differentiate ourselves on shelf, break through visual clutter, and importantly, communicate flavor. Whether it’s the juicy red backdrop of our Strawberry gummies, or the warm glow of the Summer Peach sunset, color has a powerful ability to drive appetite appeal and we really lean into it, all while adhering to cannabis packaging regulations. In combination with the graphical elements and on-pack messaging, color brings the brand’s persona to life, one that we modeled after the pioneering spirit of the brand’s founders.”


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Why now for this kind of departure? Because the market is changing. Earlier use of subdued colors and messaging often played a role in calming nerves of folks who never had tried the product before. Instead of bright colors that could convey anxiety or bold fonts meant to be declarative, reassuring pack designs established an in-control mood as starting point to consuming the product.

But in the intervening years between the onset decriminalization and now, cannabis candies have become more mainstream. For incredibles, that allowed designers to employ more mainstream CPG packaging design fundamentals, like strong wordmarks or the use of color to communicate flavor. This realization opened up new blueprints for cannabis confectionary brands to follow, ones that largely focus on fun, laughter, and clever word play. As a decade-old cannabis company—a lifetime in this business—its sheer longevity wins sufficient trust points with most consumers, freeing the brand to lighten up the mood elsewhere. 

“For our incredibles redesign we use common frameworks and design language employed by any other consumer packaged goods company looking to break through at shelf and connect with our target consumer,” Benchetrit says. “It all comes down to trust and we tell that story with details throughout the design. For example, we tied our tagline 'the credible edible' to our word mark and highlighted the year that the brand was established since very few in the space can say that they have been operational for more than a decade. The back of pack begins to tell the brand story and highlights our points of differentiation. But packaging is one of several communication mediums. Others include retail and point-of-purchase, field activation, and in certain states, digital and out-of-home. We know that, in isolation, packaging can only communicate so much so and when we think about messaging, we are always thinking through the lens of how these mediums work together.”

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