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Digital printing is revving up

Everyone’s braced for the next wave of digital whizzbangery when drupa opens in June of 2020. But plenty of converters today are busy leveraging what’s already in the digital printing tool box.

Oliver Bruns, CEO of the Edelmann Group, stands in front of the LANDA S10 press, which uses a method of digital printing called nanography.
Oliver Bruns, CEO of the Edelmann Group, stands in front of the LANDA S10 press, which uses a method of digital printing called nanography.

It’s time again to look at some of the more notable developments in the digital print for packaging space. And what could be more notable than the news that commercially operating nanographic printing presses from Landa Digital Printing are beginning to establish themselves? For the production of packaging materials, Landa offers both a web-fed W10 and a sheet-fed S10. Since the W10 is not as far along in terms of commercial use, we’ll focus here on the sheet-fed S10.

The nanographic printing process, also called nanography, differs from other printing technologies because it uses an innovative system that employs Landa NanoInk colorants, a proprietary water-based ink with nano-pigment particles that measure tens of nanometers in size. Unlike ink-jet printing, where ink-jets put the image directly onto the substrate, nanography is essentially an offset process. The Landa NanoInk dispersions are ejected onto a unique heated blanket, and only then is the ink transferred from the blanket to the substrate in the form of an ultra-thin film. Substrates, it should be noted, can be of the off-the-shelf variety requiring no pre-treatment or priming. Landa claims that nanography offers unprecedented dot sharpness and color uniformity compared to ink-jet or offset lithography. As for throughput, it’s an impressive 13,000 B1 sheets/hr.

Announced with typical Landaesque fanfare at drupa 2012, nanographic printing presses were originally scheduled to begin shipping in 2014. But it was more like 2016 or 2017 before the first S10 beta site, Israel’s Graphica-Bezalel, was announced.

By summer of 2018, Germany-based Edelmann, a leading folding carton producer with 19 sites around the world, became the first beta site in Europe. Edelmann CEO Oliver Bruns says he still gets a kick out of seeing a digital press running at offset speed and producing offset quality. “Vibrant colors and opportunities like I’ve never seen before,” he adds. “Feedback from customers has been amazing.”

Worth noting is that the first installation of an S10 press in the North American market is happening in Texas this spring at Virtual Packaging. In fact, the firm is doubling down on digital by also installing a digital die cutting system, the Highcon Beam.

Since 1996 Virtual Packaging has been providing shelf-appeal consulting plus packaging prototypes to a wide range of U.S. and International clients. Now those clients want the firm to also produce commercial quantities in addition to prototypes. To do that, says Virtual Packaging CEO Monty Patterson, management realized they needed to invest in digital technology for finishing as well as for printing. “The Highcon Beam will allow us to produce the highly creative and distinctive prototypes and packaging required by our clients and to maintain rapid delivery without the time or costs involved in conventional die manufacture,” says Patterson. With the installation of the Landa S10 and the Highcon Beam, the firm will become what Patterson calls “the first all-digital B1 packaging site in North America.”

With a speed of up to 5,000 sheets/hr, the Highcon Beam digital cutting and creasing solution brings the digital finishing revolution to mainstream production. It was developed as a robust solution to the challenges facing folding carton converters and print service providers. It replaces the expensive and slow conventional die-making and setup process with a digital technology that delivers fast speed to market, design flexibility, and the ability to perform a wide range of applications in-house.

Impressive as the Virtual Packaging installation will be, it’s worth noting that an equally ambitious installation has recently gone into production at the folding carton converter xianjunlong in Shenzhen, China, where not just printing and enhancing are done digitally but scoring and die-cutting, too. A Heidelberg Primefire digital press and a Steinemann DEU (digital embellishment unit) are teamed up with what is being described as the “world premier” of a digital system for scoring and die-cutting that is made by MK-Laser. We hope to have more on this in an upcoming issue.

Prototypes and more
Elsewhere on the sheet-fed carton front, Color Ink is approaching the one-year anniversary of its installation of an Impremia IS29 from Komori. This digital ink-jet printing system is able to print four colors in quality approaching offset printing, runs at speeds to 3,000 sheets/hr, and handles 23- x 29-in. sheets—making it especially suitable for six-up applications. It was developed in partnership with Konica Minolta and uses a Konica Minolta ink-jet system and digital front end.

Color Ink’s Todd Meissner says the press fits his needs not only because it handles large sheets but also because its use of LED UV curing results in quick drying. “The narrow wavelength of LED requires less energy for curing than is required for curing by way of a standard UV lamp,” says Meissner. “Also, this method of curing doesn’t distort the materials. We cure the ink so that it’s dry to the touch right away, and then we go immediately to creasing and die-cut.”

Prototype cartons are a specialty at Color Ink, and the Komori press is especially good at producing them. When asked about run length, Meissner says the sweet spot is anything from one sheet up to about 10,000. “Though we have done larger projects,” he notes, “where there’s a variable component for personalization.” Meissner adds that Color Ink prints Point of Purchase materials in addition to folding cartons, so he likes the fact that the press can print on plastic as well as paperboard sheets.

In other news from Komori, the firm says that its Impremia NS40, a 40-in sheet-fed nanographic printing system that uses the same NanoInks developed by Landa, will go to a beta customer in August. Komori will also feature the NS40 at drupa 2020, which runs June 16-26 in Dusseldorf. Like the Landa S10, the NS40 is essentially an offset process where ink is jetted onto a blanket and dried before being transferred onto the sheet-fed substrate. According to Komori, the NS40 combines the best of offset with the best of digital ink-jet. It can be used with all common commercial substrates, including coated or uncoated paper, paperboard, plastic, and specialty substrates.

Award winning labels
MGI Group, based in France but having an office in Florida, withits JETvarnish 3D/iFoil Digital Enhancement Press has been making inroads in the post-print digital embellishment space for some years now. Among converters using this technology is Russian label printer
azimutprint, where digital presses from both EFI and HP Indigo produce labels for wines, spirits, cosmetics, and gourmet foods. Azimut won two awards in the international competition organized each year by Finat (European Association for Self-Adhesive Labels), including the Spaquatoria Milk Dew label shown below. Printed on an HP 6600 digital press on a matte silver-coated PP top silver stock from Fasson, this set of four different labels for a line of cosmetics products has been digitally enhanced with 3D UV varnish. Petr Lavrov, azimutprint CEO, is justifiably proud of the Finat awards. “These awards,” he says, “granted by recognized professionals, highlight the excellence of our technologies and our team while demonstrating that digital finishing is the key element in added value of adhesive labels.”

Azimut has pushed the limits with its JETvarnish enhancement press by asking MGI to modify the system enough so that it could also
digitally produce enhancements on flexible packaging substrates. “We think this is really significant,” says MGI Marketing Manager Jack Noonan, “because it now allows embossed foiling and variable-data embossing on materials that didn’t used to lend themselves to such treatments because the pressure and heat of traditional hot-foil stamping would have deformed the flexible films being enhanced.”

Also being watched closely is MGI’s AlphaJET Industrial Print Factory concept. Described as the first hybrid digital press for integrated UV/Aqueous printing, packaging, and decorative applications, it won a 2018 Innovation Award in Paris this past November at the All4Pack show. It’s scheduled to be installed in a beta site by the end of the year.

The AlphaJET represents the next phase of MGI Group’s strategy to integrate digital printing and embellishment technologies. It combines six B1 ink-jet printing and embellishment functions: White UV Pigment Ink, 2D/3D UV Clear Varnish Ink, Aqueous CMYK Printing Ink, Inline Substrate Sheet Priming, three Curing Methods (LED, IR, UV), and Variable Embossed Foil Decorating. It’s also designed with expansion capabilities for the implementation of Printed Electronic circuitry applications such as chipless RFID/NFC antennaes and OLED flexible screen technology.

During All4Pack, MGI and Memjet announced that Memjet’s DuraLink Printing technology has now been integrated into the AlphaJET in place of other digital print heads used previously. This is the first 40-plus-in. sheet-fed press to integrate the DuraLink ink jet printheads, ink, and modules. It’s also the first five-color digital printing system to offer decorative special effects such as 2D/3D UV dimensional textures an variable embossed foil. “And because this is aqueous technology, it has some advantages from a food-contact standpoint,” adds MGI’s Noonan.

The Memjet DuraLink technology produces CMYK color impressions with 1600 dpi resolution. The white and clear varnish inks use UV inkjet technology for a best-of-breed convergence of digital printing methods. This powerful array of high-speed ink deposition processes allows the AlphaJET to both print and embellish corrugated board, paperboard, plastic, and synthetic substrates at 1,800 B1 sheets (70.7 x 100 cm/28 x 40 in.) per hour.

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