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Digital Continues to Transform Printing and Finishing

With digital’s share of the printed label and packaging market showing impressive gains, a number of new players are entering the game—especially in the direct-to-shape space.

One example of the vivid printing Hart is able to produce is shown here.
One example of the vivid printing Hart is able to produce is shown here.

Editor’s note: Digital printing of labels and packaging continues to come on strong. According to a Smithers report (issued late last year, digital’s share of the printed label and packaging market will have increased from 4.4% by value in 2020 ($18.5 billion) to 7.2% ($35.9 billion) in 2026. The majority of digital output last year was in labels. But Smithers expects the fastest growth heading into 2026 to be in corrugated and folding cartons. Also showing remarkable signs of growth built on some very innovative technologies are digital finishing and direct-to-shape digital printing. This report begins with direct-to-shape printing.


Read article   Read the Smithers report here.


“In for a penny, in for a pound”—it’s an old saying being put to the test by Canadian can printer Solucan. In 2019 the firm was the first to fully capitalize on an innovative direct-to-shape Cyclone digital can printing technology from Tonejet for 12-oz aluminum cans. Just two years later, the firm ordered up a second complete can handling and printing line, but this time with a Cyclone C4+ that deploys a longer variant of Tonejet’s printhead to permit the printing of 16-oz cans. The C4+ also has an upgraded user interface, simplified ink refills, and active adaptable can handling to permit rapid changeover between variations in can sizes.


Watch video   Watch a video on the Tonejet installation.

Few are more surprised by the arrival of this second digital can printing system than Solucan President At Hart Print, cans enter the 16-station rotary printing system from above.At Hart Print, cans enter the 16-station rotary printing system from above.and co-founder Sebastien Baril. “The idea was to start with a line capable of printing 12-oz cans and then replace it once Tonejet had developed a printhead capable of doing 16-oz cans,” says Baril. “We figured we’d print as many as 500,000 12-oz cans while we waited for the longer printhead to be available. But demand for the 12-oz cans is so keen that we wound up printing more than six million cans with the original system. It soon became clear that we needed to add a second line rather than swapping out one printer for another.”

Craft brewers, cideries, and others who have a hard time meeting the minimum-order quantities typical in the conventional can supply world have been quick to take advantage of Solucan’s digital printing prowess. Like all digital printing technologies, Tonejet’s digital system does away with printing plates, make-ready, ink changes, and other setup costs. Every image to be printed on a container can be different than the one before it because jobs are uploaded with the Cyclone digital job manager.

One example of the vivid printing Hart is able to produce is shown here.One example of the vivid printing Hart is able to produce is shown here.According to Tonejet Sales Manager Marvin Foreman, Tonejet digital printing systems deploy electrostatic drop-on-demand printing technology. “It combines a novel printhead architecture with proprietary ink formulations,” says Foreman. “We’ve got a charged pigment particle suspended in a carrier fluid. The pigment is jetted from ejector tips and during that process the carrier fluid evaporates, so that all we’re left with on the substrate is pigment. We then bind the pigment to the substrate with an overprint varnish, which is the same overprint varnish used widely in the aluminum can-making business.”

This electrostatic drop-on-demand printing technology delivers a 600-dpi greyscale CMYK resolution at a speed of 60 cans/min. When asked for more detail on the ejector tips, Foreman answers this way. “It’s a four-color CMYK process, so there’s one print head for each color. Picture a series of hair combs mounted in a print head. The pigment is ejected from the tips of the combs’ ‘teeth,’ which number 150 or so in each print head. We apply a pulse voltage that governs how long each ejector will fire, and that’s how the pigment, suspended in its carrier fluid, is jetted onto the substrate. But the carrier fluid evaporates in fractions of a second, which is why the only thing left on the substrate is the pigment.”

A good example of the 16-oz cans Solucan is printing on the new Cyclone C4+ is the Whitehead Brewing can shown on the opposite page. Though the C4+ can be used to print either 12- or 16-oz cans, Baril says it’s likely that the C4+ will be dedicated to 16-oz cans because that size in Canada, at least in the beer market, is far more popular than 12-oz.

Further into this article is a discussion about a Solucan customer who is using digital can printing in a product category that isn’t beer, cider, or liquid at all.

Elsewhere in Canada

While Solucan hitched its wagon to U.K. technology—Tonejet is a subsidiary of the U.K.’s TTP, which has a 30-year history of inkjet technology development for some of the world’s leading OEMs—Canada’s Hart Print looked to Germany and Hinterkopf for its direct-to-shape digital printers.Eschewing plastic film as a means of securing pallet loads of printed cans, Hart uses double-wall corrugated and strapping instead.Eschewing plastic film as a means of securing pallet loads of printed cans, Hart uses double-wall corrugated and strapping instead.

“Among other things, we like being able to print on the neck of the can,” says Co-Chief Executive Officer, Co-Founder Stephanie Hart. “We also like being able to print across can size formats. When we first came across Hinterkopf it appeared that they were more focused on aerosol cans used in the cosmetics space. So we went to Germany and asked about printing beverage cans and the answer was yes. From that point on we felt Hinterkopf was the technology for us. As a second-generation firm, they kind of had a history that made us want to bet on them. And it’s paid off.” Be sure to read about Hart Print’s rather remarkable backstory—not to mention the implications of the firm’s recent acquisition by Ardagh Metal Packaging.

The Hinterkopf Model D240.2 is a precision rotary indexing machine equipped with 16 double-mandrel stations. Six of these are print stations, including four for typical CMYK plus a white station and a varnish station. Each of these print stations includes its own UV cure. At the end is a camera inspection system that will detect and kick out any can that’s out of spec. So it’s built-in quality control. Just before can discharge is a final UV curing station. Then cans are palletized on a system from Ska Fabricating. That firm also provided the upstream depalletizer and can handling conveyors that gently single-file the cans from a mass flow and feed them into the printer.

Some of the 16 stations on the printer are dedicated to cleaning the can surface, which typically has on it some of the lubricants that are an essential part of the necking-in process. “I can’t get too specific about this part of the Hinterkopf system, though I will acknowledge that cleaning and preparing the can surface is a special challenge to anyone thinking about entering this space,” says Paradis. “You don’t just buy a printer and start sending cans through it.”

Special UV-curable inks from Hinterkopf and Tritron are used, while inkjet print heads specified by Hinterkopf are from an unnamed Japanese supplier.

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